Monday, July 7, 2014

Blog Post #4: Alabama Jackson and the Mackenzie Treasure



Blog Post #4: Alabama Jackson and the Mackenzie Treasure

            He had finally found them, The Last Crystal Temple of the Ark…of India. (LCTA…I) Their organization’s name had always struck Alabama Jackson (my Indiana Jones-esque alter ego) as vaguely familiar, but he decided not to question it further lest he delve into the world of copyright infringement. A bullet lodged itself into the tree near his head.
            “Sweet Roderick Mackenzie!”
Jackson darted from his hiding place, annoyed at the persistence of his pursuers. Why did they have to try to kill him? All he did was pry into the secrets of their organization, fly to the backwoods of the Indian subcontinent, trek through the forest for three days, raid their giant warehouse of Roderick Mackenzie artifacts and make off with said artifacts in the dead of night. They were making a big deal out of nothing.
            As their shouts grew louder, Jackson ran towards the water and hoped that Cheston, museum attendant and trusty sidekick, was finishing up. He doubted they had much time left. As he entered the clearing surrounding the river’s bank, he saw him quickly loading the Mackenzie artifacts into his boat. Their plan was a good one. Since the LCTA…I’s compound was by the river, they could utilize that for their escape. While Jackson had slogged through the dense forest for days, Cheston had quietly floated downriver with a boat. Once he had gotten his hands on the artifacts, Jackson had placed them safely on an inflatable raft and sent it downstream to where Cheston waited to load them up. He would then distract the henchmen by leading them through the forest to keep the heat off of Cheston while he got the raft. After a set amount of time, he would make his way back to the river bank and the two of them would return to Mobile and deliver the goods to Dr. Brooks and the Museum.
           
And that is exactly (maybe?) how the artifacts for the Ark of India Exhibit were procured.

            I might be embellishing just a bit, but that is precisely how I felt in Collections these past two weeks. I worked with historical artifacts and that is enough to make every history geek feel like Indiana Jones. My first day started with a tour of Collections by my new mentor Curator, Holly Jansen. The best part was the museum’s weapon collection. They had swords, pole axes, guns and even Samurai armor. Suffice it to say, I was in heaven. My time in Collections was spent writing condition reports on the artifacts to be used in the India exhibit. For these reports, I examined the artifact for any markings, discoloration, damage, and other issues that would affect the appearance and overall "health" of the artifact. (I did a lot of these…)
            I practiced completing reports under the direction of Lori McDuffie, Museum Registrar, on the crowns and scepters of the royalty of Mardi Gras past. This was really cool to do because I got to look and handle artifacts that had such a deep tie to my hometown of Mobile. (We did Mardi Gras first, people. Forget about New Orleans.) These crowns were really impressive, though I will say checking to make sure all of those rhinestones were secure got a bit taxing on the eyes.
Mardi Gras crowns and scepters from History Museum of Mobile collection

            After I got my feet wet with those, I began to work on the India Artifacts. This was pure awesomeness. There are different categories of artifacts, including: Textiles, 2-D, and 3-D. I spent my time doing the 2-D and 3-D artifacts, because the thought of touching hundred year old brittle fabrics makes me (and probably the museum) a bit antsy. The 2-D artifacts included letters, paintings, copper etchings, photographs, and glass slides. These pieces were beautiful. My favorites were the glass slides taken by Mackenzie during his time in India. (To help my wonderful readers envision the awesomeness of Collections, I’ve taken pictures this time around.)

Various artifacts that will be in Ark of India exhibit. From History Museum of Mobile collection

Roderick MacKenzie glass slide from History Museum of Mobile collection

     After finishing the 2-D items (which took a very long time) I began to work with the 3-D artifacts. These items are more varied and included: 2 shields, a sword, a dagger, a camera and its accessories, a projector, a 5 ft. tall hookah, and large and ornate tray. These were the things that really made me feel like Indiana Jones. One thing in particular proved to be the inspiration for my Indiana Jones themed post: a Lingam Stone. It is a sacred stone from the Narmada River in India. It is said to be an embodiment of Shiva. When I first learned this, my mind immediately went to the Sankara Stones from Indiana Jones and the Temple of Doom. (My thanks to Scott Corcoran, Collections Technician, for reminding me of what those things were called.)
Various artifacts that will be in Ark of India exhibit. From History Museum of Mobile collection

Lingam Stone from the Narmada River in India from History Museum of Mobile collection

Ornate tray from History Museum of Mobile collection

         Another interesting artifact in the India exhibit is a dagger called a Katar. It is no secret that I am a weapons guy, and considering I’ve gushed about this thing to anyone at the museum who has asked me about it, I don’t think it will be a surprise to anyone that it is my favorite.( Just look at it and all of its glorious awesomeness!

Katar from History Museum of Mobile collection

            On my last day in Collections, I helped Lori move the artifacts to the exhibit hall so Jacob and Cheston (And me!) can begin to place them in the display cases next week. It was a pleasure to be a part of this department for two whole weeks and I enjoyed every minute of it. It has really made me consider focusing on this aspect of museum work in the future. Because of that, it was with excitement, a bit of sadness, and 156 condition reports behind me that I left Collections to move onward to Exhibits.
So with more to come,
Alabama Jackson
(Seth Kinard)

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